The Farewell and Being Mixed-Race Asian

Photo info: motorola moto g(6), 3.95mm, f/1.8, 1/120 sec, ISO194
“The Farewell” Austin, 2019

I went to see The Farewell today. Loved it. Seeing a movie from a Chinese-American perspective was interesting personally because it’s something that I can relate to, although not fully since I’m a generation or two removed from any family connection with China. However, I know a fair bit about Chinese culture so the movie felt special and the situations were familiar. Come to think of it, Billi is somewhat removed from China as well and is the same generation as my Mom, whose parents emigrated from China.

Billi is 100% Chinese-American (both parents are from China), but I’m mixed-race Asian-American, which is why I couldn’t more closely relate to her. On one hand, I’m a bit envious that Billi can identify as Chinese. On the other hand, as a mixed-race Asian-American, I am proud of my mixed heritage since I can identify with Japanese culture, Chinese culture, and to a lesser extent, Hawaiian culture. But I am not able to be 100% committed to one, and that is somewhat unsatisfying. It makes identity complicated. Hanging out with Chinese-American, Japanese-American, or Korean-American friends growing up, I felt like a mutt (albeit with a bit of pride) inside. My last name meant that people (at least other Asians) saw me as Japanese-American even though I am over 60% Chinese. I’m also 6% English, but honestly, I’ve never identified with that part of my heritage. Why not? Well, I’ll have to think about that… Anyways, it’s complicated!

Back to the movie, the character Aiko was one of the most intriguing for me. To most viewers, her role was kind of throw-away, but I kept thinking about her and Hao Hao and their future kids (if in fact they are getting married) since they will be mixed Chinese-Japanese like me. What will their lives be like in Japan? What will their family visits back to China be like? How much Chinese culture will they be taught while living in Japan? What kind of discrimination will they face there?

Aiko’s situation was actually the most palpable to me. I’ve been in similar situations where I was at my girlfriend’s family gatherings in Hong Kong, and could only smile and be polite. And of course in Japan to a lesser extent, I have to do the same. So when Aiko is at the dinner table and banquet, I could feel her awkwardness! I also know how isolated and lonely you can feel when in that kind of situation for days on end. Gambatte, Aiko!

I was also thinking about POC representation in Western movies – with so many different kinds of mixed-race Asians in the world… would it be possible to depict the cultural complexities for each combination? Is it worth it? Too niche? Or must mixed-race Asians pick and choose where to find their on-screen representation? I wonder what Awkwafina‘s thoughts are about it since she is Chinese- and Korean-American… 🤔

The Farewell has given me plenty to think about. But if I didn’t mention it earlier, go see The Farewell. It’s a great film! 👍

I Watched Two Anime: Fireworks and A Silent Voice

Photo info: FUJIFILM X100T, 23mm, f/3.2, 1/125 sec, ISO2000
“Anime Nite” Cedar Park, 2019

こんばんは。How’s it going?

I recently visited my local library to renew my card and decided to browse the DVDs to see if there was anything good. I was in luck because I found a couple of movies that I have wanted to watch!

Fireworks / 打ち上げ花火、下から見るか? 横から見るか? has the same producer of the amazing Your Name which I loved, so I had high expectations for it. Unfortunately, the story was confusing and not very interesting. The animation was excellent, however, so it wasn’t difficult to keep watching. The little scenes of life around the sea-town were absolutely gorgeous. It was a shame though that the time-travel aspect was too difficult to follow otherwise it could have been great.

My rating for Fireworks: 6.5/10

On the other hand, A Silent Voice / 映画 聲の形 was excellent, with a compelling storyline, interesting characters with complex relationships and several thought-provoking messages. The animation was also good, although not as crisp or vibrant as Fireworks. But the film held my attention throughout the entire movie and I would love to see a sequel that continued the characters’ story arcs. I wonder if something is in the works…

My rating for A Silent Voice: 8.5/10

I hope you had a nice day!

またね~

When I Get Home, My Wife Always Pretends to Be Dead / に帰ると妻が必ず死んだふりをしています (2018) – Movie Review

The latest movie I watched was When I Get Home, My Wife Always Pretends to Be Dead / に帰ると妻が必ず死んだふりをしています, a movie based on a manga that was inspired by a question posed on Yahoo! Japan. The story revolves around a young married couple, and how their relationship evolves after the wife, Chie (Nana Eikura 榮倉奈々), starts to “play dead” whenever her husband, Jun (Ken Yasuda 安田顕), returns from work. It’s a really strange premise but definitely captured my interest.

************* SPOILER ALERT **************

The first prank death was surprising (if you don’t know the backstory at all), but turns out to be kind of funny, although I really felt for Jun who was understandably panicked. The subsequent prank deaths were increasingly silly, hilarious, inventive, and clever. Those are funny scenes, but they have Jun wondering what Chie’s intentions truly are. Is she dissatisfied with their marriage? Has he done something wrong?

Over the course of the movie, several marital themes are explored, but not too deeply, and the tone of the movie is kept very light. The serious themes of infertility, separation, and divorce were played out by Jun’s coworker and his wife, and even though the couple decided to end their marriage, they showed growth and maturity… and maybe this is a lesson the writers were trying to teach us?

Chie and Jun’s relationship becomes stronger during reflection and also because of the illness of Chie’s father. It’s during a visit to Chie’s childhood home that Jun gets a clearer glimpse into Chie’s childhood and gains a greater understanding of her. But the mystery of why Chie would fake her own death every day remained unsolved until the very end. Unfortunately for the viewing audience, when Jun reveals to her that he knows why she did it and is explaining the reason, there’s a strong wind and we don’t get to hear his words. I think it was meant to be funny that the audience doesn’t find out, but to me, it was just frustrating. I got the feeling that the writers really didn’t have an explanation either, and it was just a cop-out. But perhaps that’s true to the mystery of the original story. At any rate, it was an unsatisfying ending to a story that had seemingly been advancing towards a good conclusion.

I have to mention one major point that I didn’t like about the movie. There were several scenes where the music didn’t match the mood of the story at all. In fact a few times, I was wondering if I had left Spotify going, or a browser tab was open that was playing music. The generic rock and roll background songs were inappropriate and cheesy, and I kept thinking how much better a scene would have been if there was instead just silence in the background. I admit to wondering if the director’s teenage kid begged to have his band be in the film…

Anyway, if you can ignore the terrible ending and horrible musical overlays, then you are left with a fun, lighthearted movie, with some marital wisdom tidbits thrown in. The performances from all the actors were excellent, especially Nana Eikura, who was quirky and charming. Ken Yasuda played the straight man while also subtly letting us in onto his frustration. In summary, When I Get Home, My Wife Always Pretends to Be Dead is a watchable movie, worth your time.

My rating: 7/10

またね~

Okko’s Inn (2018) – Movie Review

こんばんは。How’s it going?

My friend and I went to a special showing (only two nights here!) of Okko’s Inn, a Japanese anime directed by Kitaro Kosaka (formerly of Studio Ghibli). The film was awesome! Both my friend and I thoroughly enjoyed it.

********* SPOILER ALERT *********

I had a special interest in the animation and character style, but the story itself blew me away. It was funny, sad, smart, uplifting, and engaging. I especially loved when the character Matsuki would pull out quotes from historical figures. Hilarious! 😆

There were so many elements of the film that I found interesting: the onsen town setting, kaiseki food, the supernatural, and traditional rituals. And the animation was so well-done. The scene where Okko slips on the tatami was great! If you’ve ever felt how slick a tatami mat can be, you’ll know what I mean. It was captured perfectly.

I also liked the fact that there were no overt antagonists in the story. I was expecting Okko’s grandmother or Matsuki to play that role. Although Matsuki started as a rival, she had noble intentions and wasn’t inherently nasty. The lack of any enemies reminded me of Kiki’s Delivery Service or My Neighbor Totoro in that respect. I really appreciate stories like that, especially if they can keep you engaged.

I enjoyed Okko’s Inn even more than some Ghibli movies, like Ponyo, Kaguya, and Arrietty. When I left the theater after seeing those, I felt that I had watched good movies but wasn’t overly excited, but after Okko’s Inn ended, I was pretty stoked, and thought that I’ll definitely need to own the Blu-ray version!

If you didn’t see Okko’s Inn during the special engagement, look for it on video later. It’ll be well worth your time.

My rating: 9/10

Captain Marvel (2019) – Movie Review

こんばんは。Tonight my two sons and I went to the theater to catch the 9:35 showing of Captain Marvel. I had heard good things about this superhero movie, so I was excited to see it (much like Spider-Man: Into the Spider-verse), and I was not disappointed.

******** SPOILER ALERT *********

I absolutely loved the movie! It had a great story, interesting characters, and wonderful acting. Plot-wise, I liked the manner in which Captain Marvels’ past unfolds bit by bit and changes her relationship to the other characters. As she learns more about her past, we learn the true nature of those around her, and that drives the story. Funny how you can begin the movie despising the Skrulls, and then that turns around 180 degrees. Their story, of course, has relevance to today’s real-world situations, so that gave me a whole lot to think about.

I liked how the 1995 setting establishes Captain Marvel’s place in the MU before most of the present-day heroes. Since 1995 would put the main characters at about the same age as me, I have a special affinity for them. Plus the setting is Los Angeles, so there’s an extra connection!

It’s always interesting how the movies’ stories intersect with each other and seeing Nick Fury and Agent Coulson as young noobs was really fun. I read that the actors were digitally “de-aged” by 25 years for the movie. It looked great!

Speaking of actors, Brie Larson was excellent in the title role. She was relatable and strong, and once again, I can easily imagine her in the 1995 timeframe. But she also pulls off the transitions from Star Force soldier, to So-Cal native, and to superhero with ease. And what about that mohawk? At first, I thought it was kind of ridiculous, but then I was all, “Yeah”! I also liked the chemistry between Larson and Samuel L. Jackson, but then, Jackson seems to have good chemistry with everyone. 😀

On the flipside, I was surprisingly disappointed with Jude Law‘s acting which seemed formulaic and lacked depth. Maybe it was just the dialog he was given, but I felt like I could predict everything he was going to say and every expression on his face. After each of his scenes or lines, the thought “yeah, that was average” went through my mind. I expected the usually excellent Law to give more color to the character, but that was not the case here.

Although I don’t like the ensemble superhero movies as much as the standalone character films, I’m looking forward to seeing the next Avengers movie. Everyone has their favorite heroes, and Captain Marvel jumped to the top of my list. I’m hoping she kicks some butt in Avengers: End Game!

Here’s a ranking of my favorite superheroes (that I am familiar with). Looking at this list, any character below Black Panther I’d be fine with not making the Thanos cut.

  1. Captain Marvel
  2. Dr. Strange
  3. Thor
  4. Spiderman
  5. Hulk
  6. Gamora
  7. Black Panther
  8. Star-Lord
  9. Scarlet Witch
  10. Vision
  11. Black Widow
  12. Iron Man
  13. Captain America
  14. Hawkeye

Lastly, I thought it was cool that Brie Larson said one of her role models was Sailor Moon, and that prompted @Drachearannak to create this amazing illustration which got thumbs-up from Larson herself! So awesome.

My rating: 8.5/10

またね~