Clouds and My Post-Processing

"Cloud" Austin, 2016
Photo info: FUJIFILM X100T, 23mm, f/10, 1/1100 sec, ISO200
“Cloud” Austin, 2016

こんばんは!

For the past week or so, we’ve been fortunate to have some amazing-looking clouds in the skies here above Austin. ☁️☁️☁️ And of course, I’ve been taking many pictures of them!

The photo above was taken from my car while I was on my way home from work. (Don’t worry, I was stopped at the light) The sky was very bright, with the sun behind the cloud, but the camera was able to capture most of the details. I keep the exposure compensation dial set to underexpose by 1/3 to 2/3 of a stop because I would rather keep my highlights intact and don’t worry about clipping the shadows. In fact, during post-processing, I will often let the left-side of the histogram go full black. I guess I like that high-contrast, richness on the darker side.

As you can see, the image is not very realistic, but I am not really going for capturing reality. I love that there is so much detail in the center of the clouds which you really cannot see with the naked eye. Why not bring it out in the photo? Of course the photo started off as a picture of a real cloud, but I’ve edited it into a version of the cloud as I would like to see it.

There is has been a lot of discussion in the photo blogosphere about Steve McCurry photoshopping his images, with some people feeling betrayed or tricked because of the edits. But I am not bothered by the photo manipulation. If you are creating art, then go for it! If you are documenting real-life, then don’t edit. That’s fine too. But be honest and don’t deceive people. If someone asks me if my photo has been edited, I’m more than happy to explain exactly what I edited. That’s part of the process.

Even as I take photos of everyday life, I will do some amount of editing. That happens before I even press the shutter button since I have already chosen my film simulation and highlight, shadow, and sharpness settings.

For my post-processing in Lightroom (version 5x), here are the steps I typically follow:

  1. Level and/or “upright” – I will use the level tool in the cropping area to make sure horizons are level, and for architectural photos, I’ll use the Upright tool in the Lens Correction section. I didn’t do this step for the cloud photo, however.
  2. Crop – My preferred aspect ratio these days is 4×5, but this photo was taken square in-camera.
  3. Remove dust, distracting smudges, or dirt – Spot removal tool. I didn’t need to for this photo.
  4. Adjust white balance – Using the eyedropper as a start. Typically only needed for indoor shots.
  5. Adjust tone-curve – I have saved a preset, a gentle S-curve, which adds contrast.
  6. Tweak the exposure – Exposure, highlights, shadows, whites, and blacks sliders.
  7. Adjust color – Vibrance, saturation, HSL. For this image, I brought the saturation down a bit.
  8. Add grain and/or a vignette – Just a vignette for this image, albeit a strong one. I used a combination of Vignette in the Effects section, and then a few graduated filters with lower exposure.
  9. Export – Resizing and saving for blog, Flickr, and Instagram.

Nine steps looks like a lot, but I can usually get through them in less than 3 minutes. I try to spend as little time in Lightroom as possible!

Well, this blog post kind of grew, didn’t it? 😝

I hope you had a nice Wednesday, and let’s have a great Thursday!

おやすみなさい! – B Barron Fujimoto

Staff photos

I’m pretty much unofficially the official company photographer at my work, and one of my tasks has been to take headshots of employees. Since I’ve been with the company for close to 11 years now, I’ve taken many, many, many headshots…

These days I sometimes use LinkedIn, and I see lots of these headshot photos that I have taken. It’s fun to see, and I am flattered that they still use them, but I find it somewhat odd that people who are no longer with the company still use the headshot I took.

It got me wondering about the rights to the photos… I don’t care too much about it, but I did spend company time on each photo, and used the company equipment and facilities. I guess I feel that it’s a bit unprofessional to keep using the company photo when you aren’t with the company anymore.

Besides the issue described above, some of those images are probably over five years old… it’s really time to get a new one taken, people!

Sepia? No.

One thing that every digital camera I have owned has had, but that I have never once wanted to use was the Sepia tone setting.

Which is odd, because I have an “old-timey Western” photo pinned on the wall of my kids dressed up as cowboys that was taken at a fair when they were little. I see this Sepia photo everyday. But I never ever have thought of using Sepia in my own photos.

If I could have traded the Sepia setting for a $10 discount off the price of my cameras, I would have done it every time.

Rainy daze photography

"Rainy Commute" Austin, 2016
Photo info: FUJIFILM X100T, 23mm, f/2.8, 1/100 sec, ISO200
“Rainy Commute” Austin, 2016

こんばんは! Hi, how’s it going?

We’ve been having some dreary weather here the past few days. As you can see from the photo above it was a wet drive into the office this morning, and unfortunately Koa’s baseball game was rained out this evening. So, I took him to the batting cages so he could keep sharp.

Today I did a few photography-related activities. First, at work I bought a new 50 mm F/1.8 lens for our company camera. 📷 My friend recommended this new nifty-fifty and I used it to take an employee head-shot this afternoon, which turned out pretty good. I’m very pleased with the lens!

Secondly, I tried something kind of fun, which was to smear Vaseline on a filter to simulate a blurry glamour-type photo. I was really trying to go for a dreamy, abstract type of image but I don’t think the Vaseline distorted the sharpness as much as I would have liked. Well, I did get a couple of fun kitty photos, as you can see below:

"Pop Kitties" Cedar Park, 2016
Photo info: FUJIFILM X100T, 23mm, f/2.5, 1/100 sec, ISO2500
“Pop Kitties” Cedar Park, 2016

And the third thing I did was to make a few prints using our Canon inkjet printer. I’ve never been able to figure out how to print photos… my whole life, things like edges, margins, and general printer errors have left a sour taste in my mouth when it came to home printing. This evening started out with more of the same… but after a couple failed attempts, I think I am getting closer to figuring out how the Lightroom print module works. I’ve been trying to make a print with a nice 1 cm white border around it, and I was able to tweak the settings a bit to get fairly close. With minimal trimming with our paper-cutter, the results were quite nice!

I’ll post a photo of the prints later, but I think I am satisfied for now… pics of the pics will have to wait. 😛

Well, that’s it for today. Have a great Tuesday!

おやすみなさい!

– B Barron Fujimoto

More film

Cedar Park, 2016
Photo info: FUJIFILM X100T, 23mm, f/3.6, 1/100 sec, ISO640
Cedar Park, 2016

こんばんは! How’s it going?

Today was a busy, but productive day at work. When I got home, however, some new boxes of Instax film were waiting for me! I’m not sure how many photos I have printed out on my Instax printer since I got it at Christmas of last year, but it must be about 50 so far. Anyways, I was down to my last pack of 10 so I ordered three boxes. The price on Instax film has come down a lot in the past few years. I think it was close to a dollar a print not too long ago, but these days, you can find them for about 63 cents a print.

I just love the color that the film is capable of. Below is a photo of how I keep my family pics at work. We don’t have much shelf space in our new open-style office, so I just put some Instax prints in my Pantone book. Maybe I will get a nice flip frame for some more prints, but for now, I think this will do just fine. 😄

Austin, 2016
Photo info: FUJIFILM X100T, 23mm, f/4, 1/100 sec, ISO1000
Austin, 2016