Omukae Death お迎えデス (2016) – Dorama Review

Omukae-Death

Omukae Death お迎えデス is a live-action dorama (Japanese TV drama) based on a manga of the same name, and has an interesting premise: after someone dies, they become ghosts and exist for up to 49 days in the real world before being escorted by “grim reapers” to the after-world. If they aren’t escorted within those 49 days, they become evil spirits and are eliminated, never to be reborn again.

Assisting the grim reapers (who aren’t really grim at all) are people who can see and communicate with ghosts. The two main characters, Madoka (played by Sōta Fukushi)and Sachi (played by Tao Tsuchiya) are two such people, and their job is to help the ghosts remove any regrets they have before they go to the after-world. In this way, the ghosts can rest in peace. So, the plot revolves around Madoka and Sachi helping the ghosts come to resolution so they can move on to the after-world.

Omukae Death has a total of nine episodes, and each one is kind of a story unto itself with guest actors in prominent roles. There is a larger story arc that concludes in episode 9. Some of the stand-alone stories are really good and tug on the heartstrings (they’re stories about people who died, after all!) so I was expecting the larger story to also have a nice emotional element. Unfortunately, it isn’t as strong as it could be. 😞 I think there was just too much going on with a few stories coming together, and it was hard for me to form a bond with a single one since my attention was divided. As is so often the case in Japanese dorama, there isn’t a single strong focus.

*** SPOILER ALERT START ***

One thing that I like about Omukae Death was that not all of the shorter stories have tidy, happy conclusions. For instance, there is an episode in which a high school teacher, with the help of the Madoka and Sachi, looks after her former student to make sure his life gets back on track. Even though he eventually shapes up and decides to go to university, the teacher waits too long to go to the after-world and her transformation into an evil spirit is irreversible. The ending scene of that story is probably the most emotional of the entire series.

Omukae Death

*** SPOILER ALERT END ***

A funny thing I noticed was that throughout the entire series, Sachi always wore shorts. I thought it looked a little funny in the first episode, but then in all subsequent episodes, she also wears shorts! ❓ In fact, I started to keep a lookout to see if any other characters had the same fashion, but nope! I guess one of the brand sponsors is pushing their summer fashion line. Once or twice during each episode of Japanese doramas, there is a short ~15 second brand sponsor “break” where a voice-over announces the sponsors. The first time you see this, it’s really odd, but you quickly get used to them. Also, during the end credits, there is a list of brands that sponsor the show. I guess if I were more familiar with women’s fashion, I would be able to pick out the brand of shorts that Sachi wears in Omukae Death! 😃

On the acting front, the two mains are not spectacular, but they are both popular young actors so I can understand the casting. Like I mentioned before, Tao Tsuchiya is one of my favorites so I generally watch the shows she is in. 💖 The two actors who play the grim-reapers are fun and do a good job, especially because one of them is just a kid! Of course, my Japanese language skills are not great so I don’t pick up on all the nuances, but I think the acting was okay!

In conclusion, I’d give Omukae Death a rating of 6 on a scale of 1-10. It’s certainly watchable and if you have any interest in the actors or the manga, then it might be worth giving it a shot. However, devoting ~10 hours for the entire series might be more of a commitment than you want to make for just an average dorama.

Screen time

"Sunday Morning Light" Cedar Park, 2016
Photo info: SONY SLT-A77V, 10mm, f/5.6, 1/20 sec, ISO800
“Sunday Morning Light” Cedar Park, 2016

こんばんは!

On Sundays I can sleep in later than usual, but today I woke up early and had a quiet morning to myself while the rest of the family slept. Well, the kittens and dog were up and kept me company while I drank my coffee! In the photo above, you can see the morning sun coming in from the west, and the kittens relaxing under the dining table. They are really funny little creatures who can seemingly be comfortable sleeping anywhere. Amazing!

Today I spent a lot of time in front of the screen watching Japanese dorama. I really can get sucked into these and I prefer to binge-watch them, so I wait until the entire series is finished then watch them all at once. The first one I watched today was Omukae Death. I watched the bulk of the episodes yesterday and finished up the final episode this morning (mini-review coming soon!).

This afternoon I continued watching Juhan Shuttai and now it is 11pm and I am on the second-to-last episode of that series. It’s pretty interesting, and I’ll finish it up later this week. Besides those two, I am waiting for the final episode of Hayako-sensei, Kekkon Surutte Hontou desu ka? to be shown. That’s the series I am enjoying most this season. I guess it’s because it’s aimed towards an older crowd, although still younger than me!

There are a couple other doramas that I want to watch (which Mariko says I will enjoy), but I’ll probably binge watch them next week when my family travels to Japan and I am left at home for “bachelor summer”. I’ll have a lot of free time! 😟

You know, I rarely spend a lot of time watching long stretches of tv, but once in a while I’ll get in the mood and enjoy it a lot!

Well, I hope you had a nice weekend, and we’ll see you tomorrow!

おやすみなさい! – B Barron Fujimoto

Dinner and Dorama

"Chicken & Rice" Cedar Park, 2016
Photo info: FUJIFILM X100T, 23mm, f/5, 1/80 sec, ISO3200
“Chicken & Rice” Cedar Park, 2016

こんばんは!

Tonight’s photo is of a delicious dinner that Mariko made for us. It’s an Asian (maybe Thai) style rice, with chicken and three different sauces. One was fish-sauce-based, the other was oyster-sauce-based, and the last one was ginger-based. I couldn’t decide which one I liked best because they were all yummy. ☺️ 🍴

After dinner, I watched the first two episodes of a Japanese dorama called “Omukae Death” (お迎えデス). It stars one of my favorite actresses, Tao Tsuchiya (土屋太鳳). She and the other main character are able to see ghosts, and their part time job is to help these spirits resolve their issues which are preventing them from moving to the afterlife.

So far, I’d say it’s just average, but I’ll keep watching in hopes that it gets better. Plus I don’t mind any show that has Tao Tsuchiya starring in it! ❤️

It’s a good time to start watching this season’s doramas because they are all wrapping up in Japan, which means I can start binge watching them now, and by the time I get towards the end of the series, the finale episodes should all be finished. 😆

Well, we made it to Friday!

おやすみなさい! – バロン Barron Fujimoto

Dorama Saturday

"Weekend Morning" Cedar Park, 2016
Photo info: FUJIFILM X100T, 23mm, f/2.5, 1/100 sec, ISO640
“Weekend Morning” Cedar Park, 2016

こんばんは!Good evening! How was your Saturday?

Mine was pretty good. Very busy taking care of things, but it was all good. I spent a lot of time watching a Japanese television drama, or “dorama”, called “Hayako-sensei, Kekkon Surutte Hontou desu ka?” which translates as “Teacher Hayako, will you really get married?”.

The story revolves around a 34-year-old unmarried elementary school teacher and her coworkers as they try to transition from single-life to getting married. It’s pretty funny and lighthearted, and I like the main actress, Nao Matsushita a lot. Her character is good natured, but clumsy personality-wise. Come to think of it, there’s not really much of a plot except for them going on dinner dates and trying to make connections with possible love-interests, but it’s fun and not too over-the-top silly as many dorama sometimes get.

I made it through episode 6, and this series will end at 9. It’s been a while since I watched an entire dorama series, and I’m glad I found this one! Looking forward to the next episode!

Today’s photo was taken early this morning. Two essential items for me to start the day, a cup of coffee and my email. I guess that is typical of life these days for many people, isn’t it?

For the camera settings, I used the standard Fujifilm film simulation Provia, and added some sharpening and grain in Lightroom. It’s a simple photo, but I am pleased with the overall feeling. And I love the Provia colors. Fujifilm really did a great job with their jpegs… they really have a nice character to them. I always felt that my Sony and Canon jpegs lacked any feeling… they looked so sterile, cold, computerized, and precise, whereas the Fujifilm jpegs are very warm, natural, inviting, and analogue in feel.

Take care, and see you tomorrow!

おやすみなさい! – B Barron Fujimoto

NHK’s Mare (まれ)

NHK's "まれ"
NHK’s “まれ”

I had such high hopes for NHK’s Mare まれ, the 92nd asadora from NHK, but overall it was disappointing. Tao Tsuchiya (土屋太鳳) is one of my favorite Japanese actors and the story of her quest to become the world’s best patissier showed promise, so I was really looking forward to watching. Unfortunately, the story got derailed by too many sub-plots and consequently never got too deep into the main plot, which was by far the most interesting.

The story had a solid start, establishing that the family “fled” Tokyo after going into debt, and was looking for a new home. We learn about Mare’s personality and her feelings about ambitions and having dreams. So far so good. The story got even better after Mare moved to Yokohama and started her apprenticeship at the patisserie. The relationships she had with the head chef, sous chef and assistant were interesting and fun, and just when it seemed like the the story was going to the next level, the silly sub-plot of the Wajima lacquer appeared and it got booooriiing! What an incredible and effective way to put the brakes on an interesting story – introduce the passion that is Wajima lacquer. Zzzzzz… It seemed like there were a few times when the story went back and forth between being intriguing (and returning to pastry-making), only to turn yet again into a snooze-fest. There’d be a glimmer of hope, only to disappear. Boy, the middle weeks of the drama were really a struggle!

Here’s a short list of the subplots that they should have cut from the script:

  • Wajima lacquer
  • Ichiko’s big-city experience and wan-wan blog
  • Takashi’s weird crush on Mare’s mother
  • Maki’s mysterious past
  • Keita’s cold relationship with his father
  • Mare becoming proprietress of the lacquer business
  • The fisherman’s omiai

There were several other subplots that wasted airtime, but I’d rather not spend any more time thinking about them. On the other hand, here are the things they should have kept exploring:

  • Mare’s apprenticeship (including France trip that never happened)
  • Mare’s relationship with her estranged grandmother
  • Mare and Toko’s professional rivalry
  • Mare and the Chef’s apprentice/master relationship
  • Mare’s pastry shop
  • Anything else that has to do with Mare’s quest to become the World’s Best Patissier

My last rant has to do with the plot trying to span too much from a time-frame. For instance, Ittetsu gets married too quickly and has kids. Let’s imagine that he didn’t get married or have kids. The show would have been exactly the same! What a waste of screen time. And then, Mare also gets married and has kids. Too much.. too soon. I know that family is one of the main themes of the show, but really, they could have developed the family theme more quickly and strongly without bringing in kids. The theme of having both a career and being a mother seemed forced, especially since it was introduced so late in the show. They should have kept the theme simpler… sacrificing your career for your spouse’s, which was a theme from earlier on.

In the last couple weeks of the show (when the plot became interesting again), a couple of the characters point out that Mare has lost 8 years of her patissier life… I kept thinking that the show lost 8 years of plot development! That’s a real shame because I think the actors, particularly Tao Tsuchiya, did a great job.

If you take a look at the character chart below, you could pretty much keep the top row of characters, the Yokohama crew in blue, plus Mare’s grandmother, and you’d have a much better show.

Mare Character Chart
Mare Character Chart

Mother Game マザー・ゲーム

Mother Game マザー・ゲーム
Mother Game マザー・ゲーム

I just watched the first three episodes of Mother Game (マザー・ゲーム), a Japanese drama starring Kimura Fumino (木村文乃). It’s about a single, working mother whose son gets invited to a prestigious kindergarten, and the tensions that arise between her and the social elite mothers whose kids already attend. the school. It’s a familiar plot that we have seen before, but Fumino Kimura is so good in this one and the story does look promising. I can’t wait for more subtitles to be created (it’s about 4 episodes behind)!